Firstly, I should begin by stating my interest in continually acknowledging the slightly overlooked influence of Bruce Lee because, without him, we wouldn’t have so much collaborating opportunities taking place between the Hong Kong film world and Hollywood.

That said, there are even more missed opportunities involving H.K. movie stars who were tipped to work in Hollywood. I wonder how much popularity that H.K. cinema would have received with the extra exposure e.g. Jackie Chan was to team up with Tom Hanks in 1987. The title was Singapore Sling. Their schedules would not allow it, but thank God that it didn’t happen. Otherwise, many film fans would have missed out on Project A II and Dragons Forever.

Had Brandon Lee lived, he would have starred in an adaptation of Speed Racer. This is because the Wachowskis wanted him for one of their earlier projects as mentioned further down in the article. Michael Douglas wanted JC to play the villain in Black Rain. JC’s opinion is that not only did the film make Asians look bad but why would his fans want to see him as a bad guy?

Similarly, Sylvester Stallone talked with JC about a project in which JC would play a drug dealer who turned into a good guy. JC didn’t like it. He didn’t want to play a pusher on screen – even one who gets reformed. SS knows that JC has always enjoyed his movies, and that he admires him very much. Over time, they’ve gotten to be friends. However, JC couldn’t compromise his own values, even to work with a friend.

Another film that Sly had offered JC was Demolition Man. He wanted JC to play the part that would eventually go to Wesley Snipes – a super villain running loose in the far future. JC didn’t feel right about that role either. The two people who JC wanted to work with, and couldn’t, ended up working with each other.

Sly and JC share two things in common i.e. both of them became stars via films where they played underdog characters whose slightly dim-witted personas make good and after the successes of those films, one of their own previous films had been released that had been re-edited. In Jackie’s case, a dodgy Kung Fu flick named Little Tiger of Canton retitled Master with Cracked Fingers; whereas in Sly’s case it was a dodgy porn flick named The Party at Kitty and Stud’s (a.k.a. White Fire) which was retitled The Italian Stallion.

There was a project that was being developed for both JC and Wesley – Confucius Brown. They were to play long-lost brothers, but it never came into fruition as JC had problems with the script. JC’s schedule and Wesley’s ended up getting crossed up, so it never happened. Wesley jokes that it was reborn as Rush Hour. Despite the latter, it was heard by JC that Confucius Brown would be back on track with Michelle Yeoh playing the role of Wesley’s sister.

According to a Taiwanese newspaper called United Daily News, Michelle was to be in the fourth Indiana Jones movie (although this was before it became Indiana Jones and The Kingdom of the Crystal Skull). She took a short break from the filming of Danny Boyle’s Sunshine and made a visit to Taiwan to explain about what was going on. Apparently, Steven Spielberg visited the set of Memoirs of a Geisha (2005) and said to her: “Don’t forget we will work together in the Indiana Jones project.”

Then she replied: “I will be waiting for you.”

This is not the first time that she got related to the project. In 2001, according to another report, producer Kathleen Kennedy claimed that Michelle was in talks with Ste and they had known each other for 7 or 8 years.

Martin Campbell saw Hard-Boiled and wanted Philip Kwok to play a character similar to Mad Dog in GoldenEye. Kwok received a phone call from the 007 production office based in England but he couldn’t understand what the other person was saying. The only words which he could decipher were James Bond and 007, so he assumed that they wanted him to play Bond. He had an English guy ring up the production office and it turned out that Martin was really keen to have Kwok play the nemesis that Sean Bean played.

Despite being honoured to be chosen, he had to decline since the role required him to speak English. The communication between him and the English-speaking crew would have been impossible. The director of Tomorrow Never Dies (Roger Spottiswoode) kept Kwok in mind and wanted him to play a Chinese-speaking part (General Chang) as well as be the stunt arranger for the scenes in H.K. involving Michelle’s character, so he naturally accepted the offer. Originally, Sammo was offered the action duties but rejected it.

Bruce Willis suggested to JC that they should make a movie together but there wasn’t a script around that fit their personalities. Conan Lee apparently had a fight scene in Lethal Weapon 4 that was removed (despite the fact that Joel Silver liked Conan’s H.K. films). JC chose not to play the villain of the last sequel. John Hughes wanted JC to star in The Bee – the script of which had JC as an architect who is trying to develop some land and is harassed by a bee that seems to have a mind of its own. The movie would have given him the chance to do some very funny stunts but JC wasn’t sure that he wanted to make his late ’90s return to Hollywood in a film where he was stupider than a bug.

JC offered Donnie Yen the chance to play the villain role in Rush Hour 2 (which ended up being played by John Lone). The joke was that Donnie had turned down the chance to play a similar role in a superior sequel – Drunken Master 2. Donnie turned down Rush Hour 2 and accepted a similar offer in Shanghai Knights since he felt a historical setting would be more fitting for both of them.

Initially, JC agreed to make Beverly Hills Ninja with Chris Farley, but later he withdrew before being replaced by Robin Shou.

In 1989, there was talk in the U.S. press of Sammo Hung about to make a film in North America. It was to be produced by S. C. Dacy, executive-produced by Ed Pressman and it would’ve starred Joyce Godenzi opposite Sybil Danning. Sammo flew to L.A. for talks with Dacy and Pressman. Later, it was announced that High Caliber was to be made starring Yukari Oshima and directed by Frankie Chan.

Sammo’s response to it was:

“Firstly, I didn’t like the script. I can’t catch the point of the story. As director, I have to grasp everything. With this film, I can’t, so I can’t make this film. A lot of people in Hong Kong say to me “You must make this or that movie” and I say “Okay, let me think about it.” If I can catch the point, I’ll do it. If not, I won’t. If I don’t understand the characters, the point of the story, the way to shoot it, then how can I make this film?”

Sammo theorizes…

“The example that I would use is that each movie project is like a four hundred foot well that you’re asking me to jump into. If there’s no way out, no ladders or hand-holds, then if I jump in, I’m never going to get out! I realize that High Caliber was a good chance for me but I didn’t feel it, so I can’t make it.”

Lam Ching-Ying never appeared in the 1988 remake of Mr. Vampire (titled Demon Hunters) because he was too busy, which prompted producer David Chan to hire Yuen Wah – an amazing acrobat who was considered a more commercially appealing option to Western audiences than Lam (the new star was Bruce Lee’s stunt {or acrobatic} double in three of his films). His English was so limited that Golden Harvest should seriously have considered hiring either Jackie, Sammo or even Yuen Biao (who went to America in the early ’70s in an attempt to become a star but didn’t get any work). A week prior to filming, Tanya Roberts (the Bond babe in A View to a Kill) was demanding the comforts of Hollywood on a H.K. budget.

Golden Harvest’s Raymond Chow gladly terminated her service before replacing her with Michelle Phillips. Time passed. It was more of the same with Michelle. To make matters worse, Jack Scalia couldn’t handle more than a month of acting with someone who couldn’t speak much in the way of English. You would think that Ray would have learned something from Jackie’s earlier experiences. Ray sent them both packing. He pulled the plug on the project. According to a European H.K. film fan, there was a brief piece on a European version of Entertainment Tonight that showed Tanya chased through the woods and Wah in the Taoist outfit.

I’m reminded of The Legend of the 7 Golden Vampires (a.k.a. The 7 Brothers Meet Dracula). Initially, Christopher Lee was going to play Professor Van Helsing but turned down the role and recommended it to Peter Cushing.

JC was meant to play the role that Vin Diesel played in The Pacifier. A few J.C. stunt guys worked on the film. JC would end up starring in a less profitable version titled The Spy Next Door.

Karen Mok (who was in Around the World in 80 Days) has long been trying to conquer the U.S. market but to no avail. She had been going to screen tests but, in the end, she couldn’t land the roles.

The Hollywood début of Simon Yam was initially going to be a second attempt at playing the rival of Chow Yun-Fat (i.e. after Full Contact). Like Chow, the début was going to be The Replacement Killers playing Mr. Wei, but he turned it down as he thought the script was weak.

Chow had rejected the chance to play Christie in Alien: Resurrection, which was the commercially superior choice as it is better to have a supporting role in a big movie than a lead role in a B movie (even if said B movie gets a theatrical release instead of a video one). This was something that JC learned when the Cannonball Run duology turned out to be way more successful than The Big Brawl and The ProtectorJoss Whedon (the writer of what was known as Alien 4) is such a fan of Chow that he even referenced him in an episode of Angel.

The international fame of Bruce Le during the late 70s/early 80s lead him to being attached to two American productions that failed to occur for him. The first one was meant to be a Kung Fu comedy entitled Salt, Pepper & Soy Sauce, whereas the other one was going to be F.I.S.T. ala Mission: Impossible and The Man from U.N.C.L.E. It was reported in ’84 that the agreement fell through and the role for the former would go to Carter Wong, though that didn’t crystallize either. The project was left to wither.

In the very early stages of conceptualizing The Matrix, the Wachowskis wanted Brandon Lee to play Neo, and Yun-Fat to play Morpheus; although they had thought of other candidates such as Donnie and Sammo.

Alongside Stephen Chow, Andy Lau has a strong bias for not acting in American films on a continual basis like their contemporaries (although acting with Matt Damon in The Great Wall might change this in the same way that Rush Hour made JC have a change of heart). For Ste, it’s all about the red tape. For Andy, it was more personal. He turned down a role as a cross-dressing Chinese opera diva in M. Butterfly because film-makers refused to entertain his suggestion to delete a scene. Andy commented: “They said – You’re nobody, don’t bargain with us.”

Lone eventually played the part of the Beijing transvestite who becomes the love object of a French diplomat who initially is ignorant of the character’s gender. But the controversial role wasn’t the reason that he rejected the offer, as he comments that his fans would accept him playing a homosexual character. Andy claimed that he had been ready to take a part in Wong Kar-Wai’s Happy Together, but he opted out because of disagreements over the production timetable.

Relevantly, Karen Mok was approached by Peter Greenaway (British director) for 8½ Women (1999) but turned down the part because she was reluctant to do the required full-frontal nudity. :$

A lady on the JC mailing list, who works in L.A. in some production capacity and who knows the Renaissance Films people, says that the latter jumped through some major hoops trying to get Brigitte Lin to play Jacqueline Kim’s role on the Green Dragon episode of Xena: Warrior Princess, which had obviously been written with her mind. Not only was Ms. Lin not interested, but she also made it clear (as in politely but firmly), that she did not appreciate being asked, and that she hoped she would not be asked this or anything else in the future. The Garbo comparisons are more apt than presumed (the woman really does just wants to be left alone).