The title refers to the fact that the melting pot has been run to the ground in terms of the homogenization of Hong Kong cinema for Western audiences. As many fans will attest, there have been a surprising number of American movies (and a few TV serials) which have been influenced by H.K. cinema. It’s not just a case of taking combat-oriented ideas. John Woo’s ideas have been reused more times than others. If you look at the ending of Things to Do in Denver When You’re Dead, the ending was clearly inspired by that of Hard-Boiled.
Even Damon Wayans is in on the act. Bulletproof (co-starring Adam Sandler and James Caan) reminded me of Crocodile Hunter regarding the premise of a cop who survives a bullet to the head. It also reminded me of Armour of God when a bullet goes through a lens of a man’s sunglasses. Given that one of Damon’s brothers has been proven to be a H.K. film fan, it stands to reason that this is a likelihood (as can be read in the final paragraph of this article). Woo’s use of freeze frames followed by dissolves was reused on a TV series titled Burn Notice.
Tom Cruise is a fan of H.K. movies to the extent that Righting Wrongs influenced Mission: Impossible – Ghost Protocol to have Ethan Hunt hanging from a plane, whereas the romantic car chase in The Big Score inspired Cruise for M:I 2 (which was directed by Woo). The scene where Nyah wants Ethan to shoot her heart to spare her the biological pain is a nod to a similar scene from Bullet in the Head. In a 1997 book titled The Essential Jackie Chan Sourcebook, it was documented that Jackie had publicly expressed what he sees as an unmistakable similarity between the wind tunnel finale in Operation Condor and the climatic scene in Mission: Impossible.
Snake in the Eagle’s Shadow inspired The Karate Kid, which was also influenced by Dreadnaught (as was Batman Forever) because of the laundry martial arts training (devised by Wong Jing). The outfit that Chingmy Yau wore in Jing’s City Hunter was an inspiration for Angelina Jolie’s outfit in Lara Croft: Tomb Raider, whose bungee cord shootout is an epic version of the one in Jing’s Crocodile Hunter (which also influenced Striking Distance). Payback was influenced by Jing’s Return to a Better Tomorrow (shooting Chinese gangsters inside a vehicle from underneath). Mr. and Mrs. Smith was influenced by Jing’s High Risk (two reluctant allies firing from opposite ends of an active vehicle in a building) like how District 13: Ultimatum was.
Steven Spielberg was riveted by Jackie tagging vehicles (from Sammo Hung’s Winners and Sinners) thus he decided to pitch that idea to the director of Back to the Future. Steven was aware of Jackie trying to one-up the E.T. bicycle scene in Project A, so he thought that he should allude to it. A reference to Project A comes in the form of Chris Lloyd hanging off the face of the clock tower. Having Chris do it was a way to keenly acknowledge the inspiration of Jackie – Harold Lloyd. Chan’s bicycle scene also had an influence on the motorcycle scene in Steven’s Indiana Jones and the Last Crusade.
Speaking of Spielberg, the scene in Saving Private Ryan where the sniper is shot through the lens of his rifle was inspired by John Woo’s Heroes Shed No Tears. It is fair because, not so coincidentally, Woo’s Bullet in the Head cleverly recreated the DeLorean’s fire streaks in Back to the Future in a way that was actually historically accurate. The use of scaffolds in the church shootout of The Killer was later reused by Ronny Harlin for Die Hard 2: Die Harder during the terminal sequence. The henchmen are dressed in the same boiler suits as the ones in the beach house shootout in The Killer.
Stephen Chow’s From Beijing with Love provided the inspiration for one scene in a Freddy Prince Jr. movie called Head Over Heels. In the latter film, Freddy plays an agent who has a woman in his apartment. He tries to impress her with his knife-throwing capabilities but appears to miss the intentional target, much to the amusement of his guest who thinks that he’s a lousy shot – until the camera zooms in to reveal that he successfully killed a fly. A similar thing had happened in between both movies (i.e. the end of The Long Kiss Goodnight).
Coincidentally, The Long Kiss Goodnight has a similar scene involving a knife pinning a cricket to a log. More coincidentally, Samuel L. Jackson is a huge fan of H.K. cinema. God of Gamblers inspired the running gag in Pulp Fiction where something bad happens every time that a character goes to the lavatory. Sam Raimi is also a huge fan of H.K. films, just like his friend/producer Robert Tapert. The latter was responsible for the Xena TV series where Sam insert gimmicks from H.K. movies. To green-light the show, they showed shots from Once Upon a Time in China, Swordsman II, The Legend of Fong Sai-Yuk and The Bride with White Hair. The final fight in Broken Arrow (an Arrow episode) reminds me of Winner Takes All (a similar suit) and Twin Dragons (a similar motive).
It might not come off as much of a surprise if one was to find out that the idea featured in Spider-Man of having a protagonist discreetly elevated above an antagonist whilst the former is bleeding (and whose blood drops whilst the latter senses something is amiss after it drops) came from In The Line of Duty IV, whose bomb-reflected-in-the-pool gag was revisited by in M:I 2. Raimi also tipped his hat to Zu: Warriors of the Magic Mountain for being a major influence on his work.
Sammo’s combative use of tennis rackets in Twinkle, Twinkle, Lucky Stars may have influenced Steve Martin to do the same (except using one) in Roxanne. Keenan Ivory Wayans loves H.K. films. A Better Tomorrow II influenced A Low Down Dirty Shame. The use of an ice bullet in Most Wanted was inspired by Magic Crystal (written and directed by Wong Jing). White Chicks was inspired by part of the plot of Don’t Give a Damn. As for remakes in general, Reservoir Dogs is a semi-remake of City on Fire. The Departed is a remake of Infernal Affairs. Next of Kin is a semi-remake of A Better Tomorrow.